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Creaks In The Floor

by Fine, Fine

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1.
Heirloom 03:14
You never thought you'd be one of the skeletons that you grew up meeting and tried forgetting swept under the rug and ignored their cries like the creaks in the floor but then you could wake up humming now it's a challenge to keep your hands still now it breaks your heart to see the paints been peeling no matter where you run to you'll always find yourself back in the family ballroom the only music you hear are the creaks in the floor
2.
My impulse to share a half-assed smile with a stranger and I'm too indifferent to notice if it's returned because I guess it' still something to be nobody's nothing transparency pokes through my tone when I tell you "everything's great" dizziness finds it's way back it'll kick my weight around and continue to stumble my words when I'm too lost in a thought so I'm always getting asked "what the hell are you talking about?" it's really nothing I'm content with my head left in the clouds I found it disappointing when I'm coming down so don't you go feeling so sorry for me I guess it's still something to be nobody's nothing it's still going to poke through my tone when I tell you "everything's great"
3.
As the fault lines calm to a quiet hum as the weakness in my knees is gone there's urge to part from this derelict church on a hill I learned a lot about the ground I'm standing on after I learned how to remove myself from it so the city's glare had blanketed spilling warmth in the busy winds but it hasn't compared to waking up in a thriving bloom those beautiful days we watched gold decay (and it's gone) faded behind a draped overcast curtains fell wiped the dirt from my skin and I played myself off and I just thought I'd let you know how I hate to see it gone I can still turn in my sleep and I just hate to see you've gone
4.
Ma Copine 03:14
The sun's not coming up and I'm not coming around and I'm not getting up but I've been waiting around the sun's not coming up at least I think I can keep myself warm

about

Recorded and mixed in Winter and Spring of 2014 by Andrew Russell at Kiwanda Sound Studios and Developing Nations in Baltimore, Maryland. Produced by Andrew Russell and Fine, Fine. Mastered by Matt Thomas.

credits

released June 9, 2014

Nate White - Guitar, vocals
Will Green - Drums, vocals
David Gill - Guitar, bass

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Fine, Fine Baltimore, Maryland

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